“Bravo, Mr. Stone!” said he. “You have an excellent touch; and I know what I am talking about when I speak of music. Cramer, of the Opera, said only the other day that he had rather hand his bâton to me than to any amateur in England. Halloa, it’s Charlie Fox, by all that’s wonderful!”
He had run forward with much warmth, and was shaking the hand of a singular-looking person who had just entered the room. The new-comer was a stout, square-built man, plainly and almost carelessly dressed, with an uncouth manner and a rolling gait. His age might have been something over fifty, and his swarthy, harshly-featured face was already deeply lined either by his years or by his excesses. I have never seen a countenance in which the angel and the devil were more obviously wedded. Above, was the high,
